bret battey • bat hat media

 


Supplementary Research Materials

A selection of materials supplementing my formally published research.

Audiovisual Analysis of Autarkeia Aggregatum

Music Haptics

Investigations around the potential to link force-feedback interfaces to tension and other musical qualities.

The OptiNelder Video Filter

Items pertaining to the video filter I created and used in the Estuaries Series and other works. A detailed explanation of the filter is published in Battey, B. (2020) "Technique and Audiovisual Counterpoint in the Estuaries Series". In Andrew Knight-Hill, Ed., Sound and Image: Aesthetics and Practices. London: Routledge.


Research Students

Current PhD Students

  • Robert Chafer (1st supervisor)
    [Midlands Four Cities Doctoral Training Programme award recipient]
    Creative Frameworks for Future Practice: Cross-Synthesis of Mixed-Reality and Audiovisual Composition

  • Eddie Clijsen (2nd supervisor)
    Practical Explorations of Formalised Approaches to Microtonal Composition

  • Chris Cousin (1st supervisor)
    In Search of that Perfect Wave: The Quest for Complex Control Voltages

  • Ross Davidson (1st supervisor)
    [Midlands Four Cities Doctoral Training Programme award recipient]
    Applying an Electroacoustic Approach to the Soundtrack of Narrative Film

  • Sebastiano Gualtieri (1st supervisor)
    Behind the Curtain: Composing Acousmatic Sounds and 3D CGI

Completed PhD Students

Completed Masters by Research Students

  • Samuel Thomas – 2021 (1st supervisor)
    Investigating Untutored Perception in Visual Music

  • Rob Chafer – 2021 (2nd supervisor)
    Time–Event–Space: A Creative Exploration of Techniques in Multichannel Audio-visual Composition

  • Calum Vaughan – 2020 (1st supervisor)
    Semi Real-time Use of Markov Chains in Algorithmic Electronic Dance Music Performance

  • David Gurney – 2016 (1st supervisor)
    Considerations and Practice of Creating and Implementing Effective Game Sound Design


  • Annelie Nederberg – 2012 (2nd supervisor)
    Notions of Corporeality in Electroacoustic Music